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Rashomon and Other Stories, by Ryunosuke Akutagawa
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Review
“Because I was a Japanese major in college, a very nice edition of a translation of Rashomon and Other Stories by Ryunosuke Akutagawa had been left for me at my bedside, to read while I was there and to take with me when I left. Thoughtful, I thought. And fitting. Even more fitting, that friend and I no longer speak, and I am sure we have very different versions as to why that is.†- David Rakoff, The New York Times Book Review
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About the Author
Ryunosuke Akutagawa (1892–1927) was one of the most famous Japanese writers of the last century and was the author of Rashomon and other works. The Akutagawa Prize is named in his honor.
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Product details
Paperback: 96 pages
Publisher: Liveright; Reissue edition (December 1999)
Language: English
ISBN-10: 0871401738
ISBN-13: 978-0871401731
Product Dimensions:
5.5 x 0.3 x 8.3 inches
Shipping Weight: 3.5 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
61 customer reviews
Amazon Best Sellers Rank:
#525,971 in Books (See Top 100 in Books)
For readers uninitated with Japanese literature, few better starting points present themselves than Ryukusone Akutagawa's collection: Rashomon & Other Stories. Short, sweet, and to-the-point with a haunting flair, this collection of short stories delivers to novice Japanese literature patrons a solid dose of early 20th century prose from a lean, intelligent, and creative mind. For many readers already knowledgable of master Japanese film director Akira Kurosawa, Rashomon may be a familair name. Indeed, Kurosawa adopted Akutugawa's Rashomon into a classic film in 1956 starring frequent collaborator Toshiro Mifune; additionally, Kurosawa borrowed heavily from another Akutagawa story in this slim volume to complete his film version of Rashomon (the name will remain silent to add suprise). The author, Ryukusone Akutagawa (1892-1927) writes from the unique viewpoint of a culture caught in between two worlds: (1) the modern Japanese culture, which mimiced Western nations, especially in colonial expansion; (2) and from the pre-modern Japanese perspective, which championed inward-looking, self-aware, isolationist worldviews. Akutagawa saw the Japanese world changing before him. Additionally, Akutagawa saw himself as an outsider in his homeland; perhaps this is because of his Christian faith among other things? Akutagawa's personal and political emotions are dyed with isolationism, which translates into his writing, especiallly in the first two stories: In the Grove & Rashomon. A third story, Yam Gruel, is longer than the other writings and contains a slightly different theme of "be careul what you wish for". However, Yam Gruel is also keeps with Akutagawa's belief that Western modernity would lead to a deep corruption of traditional Japanese values. Rashomon and Other Stories is a very lean book (less than a hundred pages) and while it can easily be read in one sitting. However, this tactic is not recommended as the reader will only abuse their own pleasure by speed-reading. Akutagawa's sharp prose and lean passages create a savory work not to be rushed, but laconically enjoyed. In the end, Rashomon & Other Stories make a nice contribution to the canon of Japanese literature and is recommended to all readers interested in memorable short stories.
The edition of Rashomon is a collection of six short stories: "In a Grove," "Rashomon," "Yam Gruel," "The Martyr," "Kesa and Morito," "and "The Dragon." The first two are apparently the short stories on which Kurosawa's famous film, "Rashomon," is based.Short stories are not my usual cup of tea; however, I greatly enjoyed these. They are clearly older stories, but Akutagawa is extremely talented at evoking emotion in the reader. Of the six stories, "Yam Gruel" was my favourite. "In a Grove" and "Kesa and Morito" consider the notion of truth by observing a story from multiple perspectives, and "Rashomon" closely looks at empathy, but "Yam Gruel" was the most successful in portraying a character for whom my heart moved.Of the stories, my least favourite was "The Martyr." I won't give much away from the story, except to say that the notion of martyrdom bothers me -- a community singing the praises for someone whom they have caused great suffering isn't particularly useful once that person has passed. I hope that this is the emotion that Akutagawa intended to evoke.These stories aren't plot-driven, and they're not for someone who wants a quick hit of adrenaline. I recommend them to anyone who is interested in literary classics, and to those who enjoy slower stories that drive the reader to reflection.Started: January 8, 2016Finished: January 8, 2016Rating: 9/10
I saw the movie when it first came out and I really enjoyed it. It is required reading for most literature majors at our university. When I read the book I kept thinking to myself 'where is the gate'. Then I realized that the movie is actually based on 3 different stories written by Ryunosuke Akutagawa. I loved the book so much that I tried to get all of his stories to read. Unfortunately I wash unable to find an English translation. I did however order the book of 17 stories. A couple of them are repeats from what I read in Rashomon but I really am looking forward to reading that book. His writings have so many twists and turns that I am always surprised at the end. What seems to be true is not or is it?
This is only the second authentic Japanese work I have ever read. It was prompted by reading Japanese Tales of Mystery and Imagination. Both books I thought superb and both are page turners. They seemed similar in sharing the qualities of character development, a sombre tone for the most part, and intricate plotting- and yet all this is done in a well paced, almost short story format.I am too much of a novice to know if the styles are characteristic of Japanese literature but I was left wishing Amazon had more to offer by the same authors. It seems there is a supply if you know the language, which I don't.By the way, the complex characterization still leaves you room to draw your own conclusions about the protagonists. Well worth trying.
I saw the movie in Japan in 1960. It is a classic that all attorneys should see before they ever go to court. It is an example of how a point of view by a witness can confound a story from their point of view or cunning misrepresentation. It is a must that you should read, enjoy.and remember for the rest of your life. The lesson is profound. The movie is masterful.
I didn't finish this book because it's just not my cup of tea. I guess it's well written and if someone likes this type of writing, it's undoubtedly well done, but the oriental mind, I believe, is somewhat different from the occidental and our different cultures lead to different likes and dislkies and vastly different stories.
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